![]() Switch between weapons during the action. Drag and drop the explosives onto monsters. Witness more than 35 different critters going wild each with its own special attack. Defend your house with more than 30 awesome defense tools like the mighty shotgun, the reckless minigun and the super atom bomb. ![]() Now with more than 300 different levels, 8 episodes and Quick Missions for an instant action. What's great is that Swamp Attack is free to play with the option to purchase items to help you progress through the levels faster. You have to defend it and survive the oncoming attacks from the evil zombie critters who know no mercy. Your swamp cottage is under attack by animals gone crazy. Granted, we’re likely to need some compression to help us achieve our goal, but that’s all part of the mix-mill, on the way to achieving that commercial bass sound.Defend your house. We can also start with a waveform which can cut through the mix, coupled with a sustained low end. That’s our tack here, as we create a degree of attack-based bite upfront, using the filter, with a little help from some envelope modulation. How then, can you give your mix a fighting chance? Apart from the established practice of scooping out an area of your mix’s low frequency domain, where your bass will reside, there are other things that you can do, at the level of creating your synth bass sound. Too much bottom end, and it might sound great on lightweight headphones, but the moment you step into the domain of any reasonable hi-fi system, you could have a problem, as those low frequencies swamp your mix. Pacifying the multitude of platforms, where your mix has to translate on everything, from earbuds to a full PA system, is no mean feat.
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